Pablo Sanz is an artist, composer, recordist and researcher currently based in Spain and Northern Ireland. His body of work includes site-specific and public art projects, immersive multichannel live performances and installations, exhibitions, releases, and pieces for broadcast and headphone listening. His practice is an open-ended investigation of listening, time, space, materiality, non-human vitality and otherness, with a focus on the limits and thresholds of perception and attention. Through a continuum of approaches, his environmental sound works explore the vibrant entanglements and creativity of human bodies, non-human creatures, energies, materials, spaces, and technologies, encouraging sensory ecological awareness. Listening becomes a political act, intended to resist dominant tendencies in contemporary societies, cultivating alternative forms of being and thinking.

Pablo’s work has been experienced in diverse contexts throughout Europe, with forays in the Americas and Australia, in places such as Matadero, National Music Auditorium, La Casa Encendida, Fundación Juan March (Madrid), Cafe Oto (London), PS² Gallery (Belfast), STEIM (Amsterdam), ZKM (Karlsruhe), Q-O2 (Brussels), Gallery Školská 28 (Prague), PRAHA (Brno), VELAK (Vienna), Kino Šiška (Ljubljana), MWW Contemporary Museum (Wroclaw), ACMC Sonic Environments (Brisbane), Brooklyn Acoustic Ecology Festival (NYC), and FILE Festival (São Paulo), among others. Pablo has produced commissioned works for Radio Reina Sofía Museum (RRS) in Madrid, FoN Air in the UK, the Atelier de Création Sonore Radiophonique (ACSR) in Brussels, and R{A}DIO{CUSTICA} in the Czech Radio. He has released pieces in collaboration with Framework Editions (EE), Gruenrekorder (DE), Sonic Terrain (COL), Vacuamoenia (IT), and Very Quiet Records (UK), among other labels and platforms. Grants, awards and mentions include Süden Radio (Radio Papesse, 2017), Santander Mobility Award (2015), INLAND Campo Adentro (2011), Europe: A Sound Panorama (Goethe Institute, Deutschlandradio Kultur, ZKM Center for Art and Media Karlsruhe, 2011), and the 5th On Air Radiophonic Art Prize (Círculo de Bellas Artes, Madrid, 2009).

Pablo has participated in artistic residencies in Spain, Portugal, The Netherlands, Belgium, Germany, Slovenia, Sweden, and Brazil. He has given talks, seminars, and workshops internationally, and currently is a faculty member at the Master of Electroacoustic Music Composition (MCE) at CSKG in Madrid. In 2004, Pablo was a co-founding member of, an independent initiative devoted to the research and dissemination of aural culture, experimental music, and sonic arts. He also worked as an editor in and was the artistic director for the triannual program ‘Sensxperiment 2009-11: Sensory Immersion’ in Córdoba.

Pablo graduated at the University of the Arts of The Hague, attending the ArtScience Interfaculty and the Institute of Sonology. He holds a PhD in Electroacoustic Music Composition and Sonic Arts (‘Environmental Composition Approaches’) by the Sonic Arts Research Centre (SARC) at Queen´s University Belfast, where he is currently a Visiting Research Fellow.